CHAPTER
13:
Turkey, Seljuk I
19 Nov, Friday
After nine days and five hours on Patmos, I’m
finally on a ferry again. We mill around the rumbling hold for an eternity
breathing exhaust from cars, trucks and motorbikes before the crew finally lets
us into the passenger compartment. The warmth of the ferry feels good, but
I’ve not been on one this dirty. The carpet looks as though it hasn’t been
vacuumed since October. The shabby crew drifts around with their chest hair
sticking out their open shirts and their pants wrinkled. Dirty dishes decorate
the tables in the dining room, and the trash cans are full. I try to find a
quiet place to unload my backpack where I can sleep, but small groups of
shouting Greeks are everywhere.
I sit next to the dark windows watching for the
coast of Turkey. Gradually, as we enter the straight between Samos and the
mainland, pinpoint lights speckle the darkness. We should be at dockside by
five-thirty, a little early to look for a hotel. I’m sick and tired of being
out in the cold.
The announcement over the loudspeaker startles me
even though I’ve been unable to sleep with the loud voices and smoke. We’re
coming into Samos Town. I wait impatiently down in the hold with a handful of
people, listening to the whistling wind and rush of water pumps maneuvering the
ferry while the docking crew tries to straighten out the mooring ropes. The wind
blows the ferry laterally, stretching the ropes across the exit as the metal
gangway scrapes and pops against the cement dock. The clang and scream of the
ferry’s motors coupled with the frantic shouts of men are frightening. The
cars and trucks can’t move with a rope across the exit, but it doesn’t stop
the passengers from crawling under and over the rope, adding to the chaos and
interfering with the crew. I hurry off myself, bending low under the rope which
sings under the high tension. I feel a tingle ripple through me, realizing I
could be dragged to death.
I step off the gangway into cold driving wind and
stinging rain. I use the pink neon glow of a sign, Hotel Samos, as my homing
beacon though the dark. I push through two sets of glass doors, thinking I
surely can’t afford a room in this place. The man behind the desk and another
manning the coffee and pastry shop are the only people around. The carpeted
dining room with a cathedral ceiling is dark and empty. I drop my backpack to
the floor next to a group of sofas in the foyer wondering if they’ll run me
out if I don’t take a room. I’m so tired. But perhaps they won’t mind.
Samos used to have a Hermes festival during which everyone had a license to
seal.[1]
I’ll steal a little warmth and comfort.
After pulling off my coat and gloves, I talk to
the man behind the desk and find that a single in this magnificent hotel goes
for only 3900 dr ($16.00). No singles are available at the moment and won’t be
till nine o’clock. I ask where I can find a travel agent to see about a ferry
to Turkey. “Right next door,” he says.
While waiting for the agency to open, I walk to
the OTE to call my son in San Francisco. The weather outside is still cold and
windy and the sky overcast. Today is his birthday, but it’s 8:00 PM yesterday
there. His voice sounds so fresh, young and familiar. It’s nice to be
reassured he’s well. He’s a freelance illustrator. When I tell him I’ll be
going to Turkey sometime during the next few days, he’s thrilled. He’s
painting a Turkish mural on the wall of a woman’s clothing store. Just a
little synchronicity, Hermes on the prowl again.
Let’s Go says I
must leave my passport overnight before entering Turkey. At least I’ll have
the rest of today and this evening to discover Samos. With the weather, it may
be a week before I get a ferry.
Nine o’clock comes and goes and still no room.
In the meantime, I walk next door to the travel agency, which has just opened.
The agent hasn’t even pulled off his coat. I step into the small room, which
is still dark and cold, ask when I can get a ferry to Turkey. “Today, three
o’clock,” he says. I stand there for a second, my dull mind trying to absorb
my good fortune. I feel a rush of fear. I’m not prepared for Turkey, not
today. “That won’t leave enough time for me to get through passport
control,” I tell him. “No problem,” he says. I’m dumbfounded, find
myself searching for another excuse. But this is no time for petty bickering
with my own cowardice. “What’s the price?” I ask, pulling my security
pouch from inside my shirt. As I go out the door, he tells me, “Be at the dock
by two-thirty.”
I walk down the street away from the hotel
looking for a taverna, a sense of doom hanging over me. The war with the Kurds
in eastern Turkey looms larger.
I find a dark greasy taverna, and order two gyros
and French fries. The entrance is small and the room long with a dark greasy
kitchen in the back. I chomp on the gyros and stare out at the sea and a ferry
in the distance. A lone dog hobbles in and stands three-legged at the entrance,
her nostrils elevated and twitching at the smell of my food. Her fourth leg, the
left front, is broken just above the first joint and flops like a rag. She shows
no pain, the leg evidently broken some ago. The proprietor comes to shoo her
away.
I reenter the hotel and take a single room until
two o’clock at a half-day rate. I take the elevator to the third floor. After
a shower, I climb into bed for a nap, hoping the alarm on my wristwatch will
make enough noise to wake me. Three hours won’t be much, but I can’t face
Turkey with no sleep.
A quick check of Let’s Go reveals that
ferries from Samos dock on the Turkish coast at the port town of Kusadasi. Troy
is my primary destination, and it’s north of Kusadasi about 350 kilometers,
but I also want to see Ephesus. Ephesus is just a few miles inland from Kusadasi,
so I’ll spend the night in Kusadasi and catch the bus the following morning to
Ephesus. All these logistics are worrisome in a country totally unknown to me.
Now for a little sleep.
Just as I doze, the telephone rings, raises me
straight out of bed with my arms and legs flailing. It takes a few seconds to
realize I’m not at home in Boulder, Colorado, that I’m in Greece, on the
island of Samos. The voice must be the man at the front desk, I think, but
it’s not. It’s the travel agent. He says the schedule has changed. The ferry
leaves for Turkey at one o’clock instead of three, suggests I be at dockside
by a quarter till one. I’ll have to go to the dock immediately.
After I hang up the phone, I’m rattled and
still trying to surface through drowsiness. How did the travel agent know to
call me at Hotel Samos? I didn’t even have a room when I bought my ticket. Was
the call real or was I dreaming? My first chance to get a little sleep, and that
damn Hermes, god of synchronicity and guide to travelers, takes it away.
I lumber to the dock, but no ferry is in sight,
just a fishing boat moored sidewise at the pier, a few men milling about onboard
it. No one is available to ask about my passport, so I enter the coffee shop,
wondering if the spooky telephone call was really meant for me.
A large group of young people surrounds a couple
of tables watching MTV on a television suspended from the ceiling. As I slide my
backpack off into one of the plastic chairs beside a vacant table, a brunette
with an infectious smile and captivating gray eyes speaks to me. Her name is
Sarah. She and her female traveling companion are both Australians, as are
several others. One of the girls is from New Zealand, a Kiwi. “What state you
from, mate?” asks a big Aussie with a black beard sitting beside a dark-haired
heavyset woman. Their names are Tim and Jane. “Colorado,” I say, and get a
chorus of cheers. I’m a little dumbfounded at the commotion I’ve created.
“Here’s two of your neighbors,” the Aussie adds, slapping a young man on
the back. The embarrassed couple are newlyweds from Denver. The entire group has
been waiting several days for the ferry to Kusadasi.
The agent finally shows, followed by scooting
chairs and rustling backpacks as we scurry for the door. The agent stands at the
dock calling names and returning passports, but mine hasn’t been processed. I
wait outside Port Authority feeling uneasy. The ferry also concerns me. When I
first came to the dock, I saw it but thought it was a small fishing boat. I
don’t know how they’ll get us all aboard.
I strike up a conversation with an English
couple, two very thin, rustic people, both with golden hair. They live on a
yacht at the marina in Kusadasi and are in Greece only to get their Turkish
visas renewed. They’re the friendliest people I’ve ever met, bubbling over
with conversation and laughter. I’m captivated by their English accents and
easy manner. They think the Turks are wonderful and disapprove of the fussy
Greeks. He says the change in our departure time, one o’clock instead of the
three, is because the Greeks are forcing the Turkish ferry to leave dock early.
The Greeks are simply being difficult.
I ask about getting my two cameras, three lenses
and forty rolls of film into Turkey. Let’s Go tells me I can’t get
into the country with more than one camera and five rolls of film. They scoff at
the question. “I could believe it about Greeks. They’re a picky,
antagonistic people,” they say, “but not the Turks. They’re thrilled to
have you in their country.” I wonder if the relationship between the Greeks
and Turks isn’t the 400 years Greece was a part of the Ottoman Empire. From
1456 to 1830 the Greeks lived under Turkish suppression.
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Finally, our passports arrive, and we board, not
by walking over a large metal gangway, but by stepping from the dock directly
onto the side of the boat. I feel it give a little under my weight. A car sits
expectantly on deck, and I wonder how it got there, if the boat will sink under
the weight. We stack our luggage on deck and walk down a short flight of stairs
to the covered passenger compartment. The English couple finds seats and motions
me over. We’re packed in like sardines. I don’t know if I can handle all
this attention. My loneliness and depression have been replaced with a giddy
euphoria. With the rough water we’ll likely encounter, I’m concerned about
seasickness.
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The ferry slips away from dock, and soon we’re
lunging through the white-capped sea, loping along with the chattering voices and
shouts of approval when we break a large wave. I want to keep the horizon in
sight but keep losing it watching Sarah. She has an easy intimacy about her that
disarms me at a glance.
We survive the rocky boat ride although a couple
of women are a little pale around the mouth. When I step from the side of the
boat onto the dock, a Turk takes my hand to make sure the rocking boat doesn’t
dump me into the sea. They throw our packs from the boat in a big stack, and we
scramble for them. The English couple disappear quite suddenly, and I’m
disappointed because they asked me have a drink with them on their boat.
As we exit customs, two young Turks approach us.
“Ephesus?” they ask. “New Zealand Pension? Seljuk?” Seljuk is the small
town just outside Ephesus. Sarah says she’s heard of the New Zealand Pension,
and it’s suppose to be great. Ten of us pile in the van, me against my better
judgement. I’m afraid of becoming a tourist and forgetting my purpose for
being on this journey, but I go with them anyway, quiet honestly, because I
can’t take my eyes off Sarah.
First they take us to a bank where we exchange
travelers checks for Turkish lira, and then we’re off to Seljuk. I sit at the
back of the van against the window, and Sarah sits in the seat facing me,
telling me about her home in Australia.
In Seljuk, the van pulls up at a nondescript
building with a cinder-block fence and a wrought-iron gate that would look at
home in any neighborhood in the States. Just inside the front door, we climb
stairs to the second floor. I’ve thought about dumping this group of tourists
in Seljuk, but Sarah has changed my mind. Besides, they’ve solved all my
logistics problems. I’ve made up a full day of the five I lost stranded on
Patmos.
Arhman, the young Turk who drove the van, unlocks
the door of one of the community bedrooms, pushes it open. As I enter, I see
that it’s new, white walls and ceiling, spotless linoleum floor. Three single
beds butt up to the wall on the right. A fourth single bed is sidewise, flush
against the left wall. The beds all have tan box springs on short-legged frames,
firm mattresses with tucked-in white sheets and green blankets, the covers
folded back military style, a fluffy white pillow. I can have one of these beds
for 50,000 lira ($3.67) or a single room to myself for 200,000 lira ($14.68).
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An Aussie walks past and throws
his pack on
the bed against the far wall, below the window overlooking the street.
Realizing I’ve already lost the best bed in the room, I take the bed by the
door. The two other beds are vacant. After my isolation on Patmos, I have a
warm feeling about being with people.
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After unpacking, I walk downstairs to the living
room where the rest of the group has gathered and being served Turkish tea in
tiny glasses, which look like miniature flower vases. My glass sits in a tiny
circular metal saucer and comes with a miniature spoon. I ask Sarah if she
thinks the water in the tea might make us sick, but she just smiles and lifts
her cup to her lips.
We talk to a youngish blond woman from England
named Alison who owns the Pension with her Turkish husband, Turgay. Alison
bounces her infant son on her knee. Turgay owns the New Zealand Carpet Shop just
down the street. I’m stuck in the middle of the Turkish carpet industry,
something I wished to avoid.
After tea, Arhman asks if we’d like to go to
dinner. It seems a little early, but the light wanes as we pile in the van
again. Not surprisingly, Arhman stops by the carpet shop first. The carpet shop
is one large room, running from alley to street. We enter through a lounge just
off the kitchen where we sit around a table, and they pass out tiny cups of tea
again. Beyond, down a slight incline, exotic Turkish carpets cover both the
floor and walls of a larger room. Turgay, Alison’s husband, introduces
himself. “Don’t worry about the carpets,” he says. “We won’t pressure
you if you’re not interested.” He takes several people into the carpet area,
turns on a overhead spotlight and spreads carpets of fine-woven wool and silk.
The golds, reds and blues sparkle in the overhead light. He quietly explains how
they’re woven by children.
I don’t like the way they’ve railroaded us
into the carpet shop under the pretext of taking us to dinner, but it only takes
a glance from Sarah for me to join her. She’s out in the middle of the floor
on her hands and knees. “What do you think?” she asks, sliding her hand
along the furry surface. “Aren’t they luxurious?” It’s as if my ex-wife
just spoke to me.
Turgay explains the design, an Islamic
double-prayer pattern based on the Muslim family who wove it. The large crosses
in the middle tell the number and sex of their children, light outside for a
girl, dark outside for a boy. The camel heads tell the family’s wealth.
Flowers mean good luck. The goat horn, camel feet, and scorpion are the symbols
of nomads. The alternating pattern of the outside border provides religious
instruction: pray five times a day, fast, once in life go to Mecca, believe in
God and Mohammed as our prophet, look after poor people.
After the carpet show, Arhman leads us through
dark streets to a crowded restaurant where they push three long tables together
for us. We order plates of spicy-hot meatballs, stuffed tomatoes, spinach, white
beans, tsatsiki, rice, tons of bread, French fries, potato salad, eggplant, a
sour-cream dish which looks like mashed potatoes, a clear liquorice-tasting
liquor called raki (pronounced “rocky”).
Before we finish eating, Arhman leaves to dress
for his cousin’s wedding. “I’ll be right back,” he says. “If you like,
you can go with me.” When he returns, he has changed into a dark suit and tie,
looks very dashing, tall and thin, dark hair and dark skin, very European. The
girls create a fuss over him. He blushes.
After dinner, Arhman walks us through the
spacious but crowded streets of Seljuk with monuments and ruins lit by
spotlights, glistening water spouting from fountains. We enter a huge theatre
with well-dressed Turks coming and going, some with turbans but most looking
European in white shirts and dark slacks.
We go up two flights of stairs onto a balcony
overlooking the stage. We’ve missed the ceremony, but the newly-married couple
are just cutting a multi-layered cake. They cut it together, four hands on a
long knife, one long slice, a symbolic cut down each layer. He’s dressed in a
dark business suite and tie, overly-long baggy pants. She’s dressed in a
pure-white low-cut wedding dress offsetting her dark skin and black hair.
A live quartet blares eastern music and a
vocalist warbles in Turkish. A tall gray-haired man comes out with a microphone,
calls on members of the two families to dance. The two father’s come out
first, perform an eastern dance where they elevate their arms from their sides,
fingers snapping, and move their feet while wiggling their hips. They’re
followed by the two mothers and other adults, women dancing with women, men with
women, kids with other kids and adults, locking arms across their partners’
shoulders. Men come on stage to shower the dancers with paper money, sending
kids scrambling. Others pin money on the mothers and fathers or stick it down
the top of their dress or in their shirt pockets while the band plays and the
man sings the same song over and over.
Sarah leans on my shoulder to shout something in
my ear. Her warmth is startling, mesmerizing, a quiet hint of perfume. Slices of
cake pass through the crowd and eventually reach us, a white two-layered cake
with creamy frosting. I’ve come to believe what the English couple told me
this morning. The Turks are genuinely glad we’re here.
Arhman goes to pay his respects, and when he
returns, asks if we’d like to leave. He wants to get out himself. He’s not
particularly impressed with the whole affair. He drives us back to the pension,
the music ringing in our ears. I sit by Sarah, as I have all evening, but a sort
of dreariness has come over me, realizing I already like her more than any woman
I’ve met in years.
Back at the pension, Arhman builds a fire in the
wood stove, and Sarah sits with me for a while before excusing herself and is
off to bed.
20 Nov, Saturday
Early in the morning, the long warbled wail of
the Muslim call to prayer seems far off and otherworldly. I fall back to sleep
but finally manage to rouse myself and have breakfast downstairs. Alison serves
me a boiled egg, sliced tomatoes, sliced cucumbers, jelly, butter and all the
bread I can eat, plus a mandarin orange, all the time trying to pacify her fussy
eighteen-month-old son who sits in a highchair banging a spoon on his tray. When
I finish breakfast, I ask Alison if she’s seen Sarah and Wendy. “They’ve
already left to see Ephesus,” she says. I had hoped to see Ephesus with Sarah.
From the pension, I walk a couple of blocks to
the intersection of the main road from Kusadasi and the road north to Izmir and
Troy.
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It's
dampness with a hazy fog in the distance.
To the east, the road is blocked off and swarming with people. Seljuk is a small
town, but it doesn’t look it from the size of the market. |
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The merchants are
still setting up long wood tables and arranging fruit and vegetables: onions,
garlic, leeks, eggplant, artichokes, tomatoes, cabbage, lettuce, cucumbers,
large sacks of carrots, turnips, hazelnuts, walnuts, almonds, peanuts, olives in
huge jars, mandarin oranges, bananas, haricot, broad beans, lentils and
chickpeas, potatoes. North of the crowded street the entire block is filled with
rows of sheds containing tons of fish and meat and beyond the sheds, acres of
fabric, ties, scarves, shirts, pants, dresses.
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Remembering the English woman’s warnings of
hepatitis, I select only fruit I can peel, mandarin oranges and bananas. I would
like some olives but don’t trust the water they come in. Negotiating isn’t
possible. All the prices are marked. A kilogram (2.2 lbs) of bananas is 20,000
lira or about $1.50, more expensive than at home. The man with the bananas is
dipped in wrinkles, old as Kronos, Father Time himself. He weights the bananas
on an old balance scale, juggling bronze weights and swapping bananas to get the
pivot stable.
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I return to my room, grab my daypack,
throw in some oranges and bananas. I’m in a hurry to catch Sarah. As I go out
the door, I hear a woman’s voice call my name. It’s Bronwyn, the Kiwi. She
has her black hair pulled back in a ponytail and has on a black sweat suit.
“Mind if I tag along?” she asks.
Arhman volunteers to take us to the ruins in the
van. After a short ride, he drops us off outside the gate at a small tourist shop selling handmade
statues and ancient coins. We each buy a guidebook and enter the site. “He’s
dropped us off at the exit,” she says. She reads a little in her guidebook,
then turns to me again. “Starting here will actually work better. This used to
be the main entrance to the city, the Magnesia Gate. If we’d entered at the main tourist
entrance, we would have been in the middle of the ruins.”
Even though Ephesus was founded in Mycenaean
times, the Ephesus at this site has nothing to do with the Mycenaeans.
Originally Ephesus was closer to Seljuk and was moved here in 299 BC by the
Roman emperor Lysimachus, a successor of Alexander the Great. The residents of
the original Ephesus didn’t want to move, so Lysimachus cutoff the water
supply into the old city. This new Ephesus was coastal, built along a east-west
road running between two mountains. The ruins look chiseled into the crease
between the hillsides. The western edge of the city was eclipsed by the sea.
I remember thinking the night before I left
Corinth, back on the 27th of October, almost a month ago, about Paul’s voyage
to Ephesus from Corinth. He had his head shorn and had taken a vow. He came with
Aquila and Priscilla, his two friends from Corinth. He left them here to start a
Christian church and then traveled on to Antioch.
They came in 51 AD, and this was the end of the first of Paul’s three
missionary journeys to Asia Minor and Greece. Christianity wasn’t spread among
the Jews. It was spread by Paul, Andrew and John among the Greeks, and just as the
ancient Greeks gave us democracy, so Greece became the gateway through which
Christianity came to western civilization. I would imagine the Greeks were
easily taken with his words of a loving, forgiving God after centuries of the
war-loving gods of Homer, their bickering inference in human affairs.
Paul also had been in Ephesus earlier, before 51
AD. Five years after Jesus was crucified, around 35 AD, the Christians were
expelled from Jerusalem, and Paul, John, the Virgin Mary and Mary Magdalene came
to Ephesus to live. Ephesus at that time was a growing metropolis made of marble
and stone. They may have entered the city here, at Magnesia Gate.
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Bronwyn and I enter the ruins from the east along
what was centuries ago the Sacred Way. The two mountains, Mt. Pion to our left
and Mt. Koressos to the right, are covered with rocks, brown grass and bushes.
They look damp under the heavy cloud cover and drizzle. When Lysimachus founded
the city, he built a stone wall around it. Many of the huge stones still stand. The Magnesia Gate was an arched ceremonial gate with three entrances
and a tall rectangular tower on each side.
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Beside the gate are the ruins of the
Eastern Gymnasium, which was an education and sports complex.
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To our left, on the flat between the mountains is
the state Agora, not a market place but a semi-sacred area for political and
religious meetings, which is now only a flat field pocked with marble blocks.
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It’s much larger than a football field, 160 meters by 65 meters. The Varius
Baths are to our right, dug into the side of Mt. Koressos.
They were divided into rooms named for the temperature of the water, the
frigidarium (the cold room), the tepidarium (the warm room), and the caldarium
(the hot room).
Ephesus was a plumbed city with several
fountains, wells and cisterns. Water came from the four directions. Springs near
Kusadasi provided water from the west through stone-block ducts; a spring to the
north on the road to Smyrna (Izmir) brought water by open canal; from the east
the source was a spring in Sirince, a small village in the mountains; and from
the south, the Marnas spring on the road to Aydin.
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Just beyond the baths is the Odeon, an indoor
theatre made of stone, which seated 1,400, carved into the side of Mt. Koressos.
All the seats are now exposed to the elements. The Odeon was originally used for
state concerts and meetings of the assembly of the three hundred Bouleutes, the
legislative council. Remnants of the exterior walls and the huge stone entryways
are all that remain of the exterior.
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Next to the Odeon is the Prytaneion where the
city’s eternal flame was kept by a distinguished group of citizens.
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The flame
burned night and day for centuries in what was known as Hestia’s Sacred
hearth. Hestia is the Greek goddess of the hearth, the guardian of its fire and
the patroness of household activities, the home, family, and community. At the
entrance to the Prytaneion stands the nude image of Hermes carved into the face
of a marble slab, his hand holding the horns of a ram. Hermes is always depicted
with winged feet and winged cap. In this relief, his cap and face have been
chipped and his penis and testicles chiseled away. Christians have disfigured
many of the ancient sculptures throughout Greece.
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We’ve now reached the far side of the agora,
standing at the temple of Domitian, but we’re still not halfway through the
site. Domitian was the Roman emperor who was in power when St. John lived in
Ephesus. Domitian was hell on Christians. He had St. John brought to Rome,
tortured and exiled to Patmos. He was hell on a lot of people. One of his own
servants assassinated him. The pediment of his temple depicted a scene from The
Odyssey where Odysseus and his men poked out the eye of the Cyclops
Polyphemus.
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The marble columns and granite stones strewn about are so thick they
hardly leave a path to walk. The two remaining columns forming the entrance of
the temple tower above. Tall figures carved into the top of each column peer
down upon us.
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Bronwyn has run on to Sarah and Wendy. They’ve been seeing
Ephesus from the opposite direction. I’ve been wondering all day how I’d
feel about Sarah when I saw her again. The four of us sit at the parapet in
front of the temple built into the foot of Mt. Pion. All agree this is the most
impressive archaeological site we’ve seen, much larger than anything in
Greece. Sarah and Wendy have decided to go to Istanbul and debating when to
leave.
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“Are you interested in going to Istanbul,
David?” Sarah asks.
I'm startled by the question. And the strangest
thought occurs to me. Perhaps it that I was just thinking about Odysseys, but
it's as if I've just heard the voice of a Siren. She's calling me away from the
purpose of my journey. So far I've not let anything take me from my planned
course. Even , the mother and daughter I met at Delphi couldn't sway me. And now
this. I remember the words of Homer about Odysseus' trial at hearing the Siren's
song:
On the way, they passed the shores of the
Siren’s island. But Circe had warned him of their powers of persuasion and
told him if he wished to listen to them sing, his crew must seal their ears with
beeswax and lash him to the mast of his ship. This they did, and when they
sailed past their green clover-sweet shore, white with the bleached bones of
their victims, he heard the Siren’s song and begged his crew to release him,
but they only cinched him tighter. Thus Odysseus escaped the lure of the Sirens.
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I can’t speak at first, then swallow deeply,
look away from her eyes at the ground. “I can’t,” I say. “I’ve got an
itinerary and a problem I’m trying to solve. Istanbul isn’t on my agenda.”
The words come with great difficulty.
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We leave the two of them,
me still reeling at unimaginable mistake I've just made, the four of us agreeing
to have dinner together this evening. I keep looking back at Sarah, reluctant to
let her go. Bronwyn and I continue down Curetes Street, which is paved with
large flat slabs of marble, stopping now and then to take pictures.
]Just past
the Trajan Fountain, we leave the ancient road and enter the remains of walls
leading up the side of the mountain. “What’s this,” I ask. She’s been
reading to me all the time we’ve been seeing ruins. She has such a soft voice
and easy manner.
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“Is this your first visit to a brothel,” she
asks with a smile.
“This was a brothel?” I ask, a little
wide-eyed.
“Yes. All these rooms,” she says.
“Aphrodite did have her followers.”
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We exit the brothel into the adjoining
Scholastikia Baths and the lavatory. The baths are made to the same
configuration as the Varius Baths we saw earlier, a frigidarium, tepidarium,
caldarium. The toilet is marble, walls lined with benches, holes cut in the top
like gigantic key slots for human waste to fall through.
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Bronwyn asks, “Who was Priapos?” Priapos is a
Phrygian god of fertility and the son of Aphrodite. I look over Bronwyn’s
shoulder at her guidebook.
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What he’s wonder about is the picture of his
statue. His protruding erect phallus is as long as he is tall. “Looks like a
tribute to wishful thinking,” I say. She laughs and walks away.
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We step out of the lavatory onto a wide
north-south road, paved with marble and appropriately name Marble Road. At the
south end, where the street we were on and Marble Road intersect, stands the
tallest structure at Ephesus, the Celsus Library.
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The library was built from
114-7 AD and was not here when John, Paul and Mary were here. Twelve thousand
scrolls were kept inside,[2]
now a standing tribute to the literary interests of the Ephesians in the 2nd
century AD. All that remains of the library is the intricately-carved facade,
which is two stories high and sixty feet wide.
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Bronwyn and I eat lunch on
a big group of stones on
a hill lining the courtyard outside the library with tourists mill about. I open
my daypack and pull out a banana. She sits next to me eating a sandwich.
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I watch
as she loads a new roll of film, then reads to me from her guidebook, wisps of
hair falling about her face. Her hands are smooth and nimble. She’s a sculptor
and a weaver.
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After
lunch, we walk from the library north along Marble Road. We locate the step in
the walkway containing the one remaining footprint of a series chiseled into the
marble that in antiquity led to the brothel.
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The we walk on to a large theatre
off to the right at the western foot of Mt.
Koressos. This is the most famous of all the ruins at Ephesus. St. Paul preached
in Ephesus and almost lost his life because of it. Ephesus was the city of
Artemis and her statue which was sold all over the city, was manufactured by the
powerful and influential jeweler, Demetrius. He saw Paul as a threat to his
income. This theatre was used for gatherings of the citizens, as well as
theatric performances. During one such large meeting of the citizens, Demetrius
worked the crowd up against Paul, the crowd shouting “Great is Artemis Ephesia,”
obviously hurt and angry over his attacks on her. The city security official
rescued Paul, admonishing the crowd to file their complaints against him through
official channels. Artemis was the heart and soul of Ephesus. Paul’s view that
Artemis was a devil goddess would not have gone over well.
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By the stadium, Bronwyn and I turn west off
Marble road onto Harbor Street, which runs west toward Kusacasi. Two thousand
years ago, the sea came right to the very edge of Ephesus, at the end of Harbor
Street. Dignitaries docked and entered the city there. Harbor Street was a
marble walkway lined with towering columns and covered porticos and fifty
oil-fueled lamps. Ephesus was one of the few lit cities of antiquity along with
Rome and Antioch.[3]
Most of the columns along Harbor Street are gone now. The marble block paving
vanishing into tall weeds.
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Bronwyn and I turn north off Harbor Street to the
ruins of the Church of the Virgin Mary. This is the original site of the home
where Paul, John, Mary and Mary Magdalene stayed when they first came to
Ecumenical Council met here to argue whether Mary was the mother of Jesus, the
Son of God or Jesus, a mortal man.[4]
But the road north is blocked by ruin authorities, and we can only see it off
in the distance. Little remains of the Church today, only a portion of a stone circular wall and
several tall marble columns with nothing to support.
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We walk out the main entrance, along the asphalt
road lined with tourist shops and start the three kilometer walk back to Seljuk.
Before we come to the highway, off to the right we see the depression of an
ancient stadium. During Roman times, Christians were killed by wild animals
inside this stadium to the road of the crowd. In one such episode, Paul was fed
to the lions but escaped when the lion recognized Paul from a previous
encounter. Paul had baptized the lion.[5]
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Past the stadium at an unpopulated intersection,
a gray Mercedes stops and the man inside asks if we want a ride back to Seljuk.
We tell him no several times, but he shuts off the motor, gets out leaving the
car in the middle of the intersection and walks toward us. He’s a
prosperous-looking Turk wearing slacks and a sports jacket. He’s anxious to
know where we’re from. But we still won’t accept a ride from him. He’s a
businessman and has an office just beside the Tourist Information Office at the
edge of Seljuk. He asks us to stop in for a visit when we get back to town if we
would like to know about Turkish culture.
Bronwyn and I take the road east paralleling
the highway toward Seljuk and walk to the Cave of the Seven Sleepers. According
to a local legend, sometime around 250 AD seven young Christians sought refuge
in the cave. They fell into an eternal sleep. An earthquake woke them, to their
astonishment, two hundred years later. When they finally died, they were buried
here. A church was built over the site.[6]
The ruins of the church are still visible, imbedded in the northern side of Mt.
Koressos.
This is also the site where Mary Magdalene was
buried. According to many biblical scholars, Mary Magdalene was the closest to
Jesus of any of the disciples. She was at the crucifixion and the first to
witness the empty cave and see Jesus following his resurrection. In 1896 a 1st
Century manuscript surfaced in Cairo containing The Gospel of Mary
(Magdalene) which is included as a part of the Nag Hammadi Library.[7]
In her gospel, Mary Magdalene was taught by Jesus to understand the nature of
his resurrection. The Library also contains the Gospel of Philip which
alludes to Jesus kissing Mary Magdalene on the mouth which offended the other
disciples. Jesus’ affection for her generated jealousy among the disciples.[8]
Mary Magdalene has been wrongly painted as a prostitute by the church and has
been the victim of a smear campaign lasting two millennia.
Bronwyn pokes me in the ribs, motions for me to
follow. We have a long walk back to Seljuk. When we reenter the outskirts of
town, the man in the Mercedes is waiting at the side of the street. He still
wants to visit with us. I’m resistant, but Bronwyn wants to go. Sure enough he
owns a small carpet shop, a narrow affair with no exit at the rear, sort of a
rectangular cave lined with carpets. We sit on benches covered with carpets,
rolls of carpets standing around us.
No pressure here.
An ultra-thin young man enters with a tray of
tea. Our host lights a cigarette. He’s college educated, a teacher. “There
is no money in teaching in Turkey,” he says, “so I run a carpet shop.” His
family is from eastern Turkey, where the war with the Kurds currently rages. His
family lives where Noah’s Ark came aground. “They found it in a glacier but
lost it again when the snows came,” he says. He tells us about the traditional
way of building homes in Turkey. They are made with two floors, the bottom floor
for the animals, goats, sheep, chickens, pigs, and the family lives on the top
floor. Heat from the animals rises and keeps the home warm. He draws a picture
for us as he talks. We talk about the Soviet Union disintegrating, the high
unemployment rate in Turkey, me losing my job in aerospace. Three things he
doesn’t like, he says: fundamentalism, nationalism and egotism.
As we leave, he tells us if we want to know more
about Turkish culture, we should visit him again. He will tell us how the
carpets are made, the dies, the weaves. He asks where we’re staying, and I lie
to him, say that I’m not sure of the name of the pension. Then he lectures me,
says that Turks are straightforward and I’m not being straight with him.
Just at dusk, Bronwyn and I go out to dinner.
Another man joins us, a redheaded guy from Cincinnati name Richard. We haven’t
seen Sarah and Wendy since we talked to them at Ephesus even though they
promised to have dinner with us. During dinner Richard raises a fuss over his
dinner, calls the waiter over. He doesn’t like his Turkish pizza.
Just as we arrive at the pension, Sarah and Wendy
come down the stairs with their backpacks. To my dismay, they’re on their way to the otogar
(bus station) to catch the night bus to Istanbul. As they walk away into the
dark, I call after her. “Sarah, I didn’t know you were leaving so soon. I
had hoped to talk to you again.” She takes a few steps toward me. “I
know,” she says. “I’d hoped to also. But maybe we’ll meet again. We
should be back in Seljuk in a few days. Get my address from Tim and Jane. Write
to me.” I wonder how much the airfare is to Australia?
21 Nov, Saturday
I wake late and have breakfast downstairs again
with Alison serving me while playing with her little boy. She changes his wet
diaper. The kitchen and the living room are together in one large area, and
several people have congregated after eating. Two young men I’ve not noticed
before have joined our group. They’ve taken the single room with the big bed.
One of them is sullen and sits quietly in the corner of the sofa. The other is
flighty, floating about the room like a butterfly, talking about the English
rock star, Cyndi Lauper. I make a comment about her because she was one of my
daughter’s favorites, and the guy cruises over in front of me to talk, stands
before me to monopolize my attention. His buddy scowls, glares at me. I finally
hits me. These two men are homosexual.
I walk north from the pension to the intersection
of the main roads running west toward the coast and north to Izmir. I walk west
past the edge of town to a little-used side road beside the freeway. On the left
and right, rows of tall eucalyptus trees run far into the distance blocking the
midday sun and creating an infinately-long tunnel of shadow.
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Just beyond the
last few buildings I come to the ruins of the temple of Artemis, the goddess who
raised Patmos from the sea and who was the heart and soul of Ephesus. The ruins
are off to the right of the road in a flat field. Only a scattering of stones
remain.The temple was one of the seven wonders of the
ancient world. It stood at the edge of the sea, but since then the entire
seaport from here all the way to Kusadasi has filled with alluvial deposits from
the Kucuk Menderes river, which runs just north of Seljuk. The coast has receded
west eight kilometers in the last two thousand years.
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According to mythology, in Mycenaean times three
Greek migrations to this part of the western coast of Asia Minor occurred. The
first came from Crete around 1400 BC when Miletus fled from king Minos. He
settled just south of here where he took over a Carian city and renamed it for
himself.[9]
The city of Miletus is still there today, where the Maeander river (now called
the Menderes) empties into the Aegean. The most ancient relics found here at the
temple of Artemis come from the hill overlooking this site, a Mycenaean grave
which has been dated to the 14th Century BC.[10]
The name “Ephesus” comes from the time of Heracles and Theseus. The
sanctuary of Ephesian Artemis is said to have been named for Ephesos, the son of
the river Kayster.[11]
The second wave of Mycenaeans came around 1220 BC
with Manto, the daughter of the Theban seer Teiresias. Here’s where I once
again pick up her trail. I remember, when I left Delphi back on December 15th,
thinking of Manto’s departure for Asia Minor, our departures separated by 3200
years. This is the original site of Ephesus before Lysimachus moved it to the
location I visited yesterday. Since Ephesus already existed at the time, she
might have come here first, then moved a few kilometers to the northwest and
founded Colophon.
St. John spent some time here at the temple even
though he didn’t care much for Artemis. He called her a “demon” and a
“deceiver of this great multitude.”[12]
The Artemis of Asia Minor is skewed somewhat from that born on Delos who
is the daughter of Zeus and sister of Apollo, a virgin huntress. On Asia Minor,
Artemis is a merger of that Greek goddess and the great Mother Goddess, Cybele,
the virgin mother of all life worshipped from Scandinavia throughout Asia Minor
and into Egypt and Arabia. She dates back to 7000 BC. This Neolithic Artemis was
worshipped by some as a meteorite which fell to earth in the shape of a woman.
The meteorite is mentioned in the New Testament.[13]
The temple of Artemis was the largest structure
ever built of marble. It was the size of a football field and six stories high,
a forest of columns, 127 in all, and built over a foundation of leather-covered
coal. It was destroyed and rebuilt seven times.[14]
St. John was one of the destroyers. During his first visit to Ephesus, coming
here by way of Miletus, John decided to visit the temple “... for perhaps if
we are seen there, the servants of the Lord will be found there also.” Once
inside the temple, he called upon God to destroy it:
... the alter of Artemis split into many pieces,
and all the offerings laid up in the temple suddenly fell to the floor and its
goodness was broken, and so were more than seven images: and half the temple
fell down, so that the priest was killed at one stroke as the roof came down.[15]
Later,
John resurrected the priest as another show of God’s power, showing a good
deal more mercy than he had with Cynops on Patmos. The priest was converted and
remained with John thereafter.
Little of the temple remains today. The lone
semblance of a column has been pieced together from misfit sections and
reerected among the scattered stones at the edge of a pond where ducks float on
the dark mirror surface. The remains of the temple were scavenged to build the
Basilica of St. John, which sits on the side Ayasulk Tepesi, the hill
overlooking the temple. I can see part of the basilica from where I stand and
above it, the Seljuk Castle, a Byzantine citadel on the top of the hill casting
a medieval, ghostly, presence over the entire landscape.
Mid afternoon, I walk past the main intersection
in Seljuk north along the road toward Troy, past the carpet shop, along a side
street and up Ayasoluk Hill.
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Shortly
I'm at the ruins of the Basilica of St. John. Before
I get to the site, I encounter some unprotected ruins swarming with kids. I
take one picture with the kids and would like another without them, but they
scurry to reappear, posed with gigantic smile in front of me anyway.
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An ancient story tells of St. John not dying but
being taken directly into heaven, reminiscent of the death of Oedipus and what
my family anticipated for my own grandparents. The other eleven apostles were
murdered. John alone of the twelve apostles lived over one hundred years.[16]
But some believe John died a natural death and was buried here at the Basilica.
According to this story, John had a premonition of his own death. He left
Ephesus at dawn, walked past the cave where Mary Magdalene was or would soon be
buried, past the temple of Artemis, which he had destroyed, and came to this
hillside.
Having looked for the last time on his beloved
city of Ephesus, relieved now of all care, he told his disciples to dig a grave
in the shape of a cross, and laid his cloak in it. Then, entering it, he lay
down and told his disciples to cover him with soil up to the knees. They,
weeping, embraced their master for the last time. John then gave them his
blessing and told them to cover him up to the chest, first with a white shroud
and then with earth. As the sun rose, John commended his sanctified soul into
the hands of his beloved Lord.[17]
Since the death of John, his grave site has
prompted several structures to be built here. In the 4th century, a basilica
with a wood roof was built over his grave, followed by a church in the 6th
century and fortification walls after attacks by Arabs in the 7th and 8th
centuries. Dust from his grave was thought to have medicinal powers, and the
sick and injured traveled from far away to be healed.
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I enter the site through the towering Pursuit
Gate, an arched doorway in the fortification wall, and walk along a marble path
which opens into a courtyard.
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What strikes me immediately is the forest of
reconstructed doorways, some square, some arched, some with red-slab brick walls
standing about them, some standing alone.
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In the center of the site, around the
burial place, bright marble columns jut up from ground level and stand stark
against the blue sky, now reduced to purposelessness.
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At the far side of the
ruins, I walk among large chunks of marble populating a grassy slope that leads
to the top of the mountain and the Seljuk castle and look back over the top of
the basilica, stare down into the roofless rooms.
The sun is low on the horizon and casts a glow
over all the ruins, as if the entire landscape has been dipped in gold.
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East, the town of Seljuk lies below me, the whitewashed buildings turning orange
in the muted light. The few visitors mill about; two men in black suits talk
softly at the edge of the steep slope. A hushed sacredness comes to the site.
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Something is bothering me. I say a quiet prayer,
and I walk back toward the entrance and sit on a marble slab to try to
understand what's going on with me. Fir trees, thick with the chatter of finches,
cast a shadow across the ruins. A stone walkway winds off to the left and right.
The empty rectangular door frames standing alone
seem to be saying something. I felt something symbolic every time I pass through
one, as if it was an open invitation. But to what? Memories of my daughter as a
child flood to the surface.
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Every spring my daughter used to come to me, take
my hand in her little hand, lead me into the living room in front of the TV.
“Sit!” she’d command like I was the old canine pet.
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She’d climb into my
lap, my chin behind her head, her ponytail swishing back and forth across my
nose. Year after year, spring after spring, we performed the ritual, watching
the Wizard of Oz together, my arms around that beautiful little golden-haired
goddess. Perhaps I’m finally beginning to understand what those times were all
about. In the movie, Dorothy disappeared, She and I formed a quaternion. I was
the triumvirate: Tin Man, Scarecrow and Cowardly Lion. That movie was like those
doorways, an open invitation, one she accepted a few years later.
I’m reminded of Artemis as a child of nine:
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... sitting on her father’s [Zeus] knees--still
a little maid---she spake these words to her sire: “Give me to keep my
maidenhood, Father, for ever: and give me to be of many names ... . And give me
arrows and a bow ... give me to be the Bringer of Light and give me to gird me
in a tunic with embroidered border reaching to the knee ... . And give me sixty
daughters of Oceanus for my choir ... and give me for handmaidens twenty nymphs
of Amnisus who shall tend well my buskins ... give to me all mountains ...[18]
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Give me, give me ... . What did my daughter want?
I’ve never understood.
On the other side of the stone walkway is a patch of ice plant and beyond, a
marble walkway, rose bushes, two small pine trees and the ruins of the church
itself with the fortress standing menacingly at the top of the hill. High in the
air above the fortress, a large flock of dark birds flies a swarming circle,
their sharp screeches pierce the quiet whisper of city noise as the wraiths
storm the skies in some rude-sounding flock ritual.
 |
The scattered, individual
cries coalesce into a chorus emanating from the heavens. Above the fortress
walls, a lone red flag with the yellow crescent and single star, the flag of
Turkey, flaps in a light breeze.
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The sun is set, it’s last full rays glowing off
the ruins, casting tree shadows across my shoulders.
During the evening, I have dinner again with
Bronwyn and Richard. She’s bubbling over about her fourteen kilometer hike up
the mountain to the east to the small town of Sirince. I’m lost in thoughts of
Sarah and planning tomorrow’s visit to the Home of the Virgin Mary. The day
after tomorrow, I’ll take the bus to Troy. I really cannot delay my travel
plans for the possibility of Sarah returning.
22 Nov, Monday
Mid morning I walk Bronwyn to the otogar. She’s
going south to Miletus, and I’m jealous for two reasons. First I’ll not get
to see Miletus because tomorrow I’m going north. But my worst jealousy is that
she’s leaving with Richard, the dork from Cincinnati.
When we get to the otogar, a man comes up to them
to try to get Richard to use his company’s bus. The man is followed by six
other young Turks from competing bus companies. An argument ensues between
Richard and one of the hawkers who’s very aggressive. Richard stands
provocatively in front of the man, throws out his chest and tells him how
obnoxious he is, not realizing his own foolishness. The hawkers argue among
themselves for several minutes, Richard purposely pumping them up.
Eventually he and Bronwyn walk away from all of
them to the main intersection and buy tickets on the first bus south, which
costs more than any of the hawkers buses. Bronwyn looks disillusioned. Richard
seems a little shocked himself. They don’t even know for sure where the bus is
going. I give Bronwyn a hug and watch the two of them step aboard. I’ve spent
more time with her than anyone since Letizia in Corinth, and I hate to see her
leave with Richard.
In the early afternoon, I walk to the town square
to get a taxi. I negotiate with a likable young man and shortly we’re on our
way, past the gate where Bronwyn and I entered the ruins of Ephesus, up Mt. Pion
on a winding road, through pine-covered hills overlooking the farm-checkered
valley created when the Kucuk Menderes river filled the bay with alluvial
deposits. I see the Aegean in the distance. We enter a thick forest and shortly
the site of the home of the Virgin Mary.
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He stops at the entrance and tells me I have
thirty minutes, then goes over to a group of men sitting at a picnic table under
the shade of a tree. I walk along a tree- shrouded path,
past the ruins of a cistern. At the side of the walkway stands a full-size
bronze statue of Mary, a beautiful young woman with a hooded cape draped about
her shoulders. Her long-flowing skirt covers all but her toes. She wears a
crown, arms at her side with palms forward in
welcome, head tilted slightly downward, as if in submission. Her expression
is solemn, contemplative.
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The biggest difference between Greek Orthodox
Christianity and the Catholics is their perception of Mary, the mother of Jesus.
Greek Orthodox believe she was a normal woman and mother; however, Catholics
believe she was immaculately conceived, and a perpetual virgin. Prior to her
birth, her parents, Joachim and Anna, were distressed that they had no children.[19]
Joachim was upset and went into the desert to fast for forty days. Anna stayed
home and sang dirges of woe. But an angel came to her saying:
“Anna, Anna, the Lord God heard your prayer,
and you will conceive and give birth, and your offspring shall be spoken of in
the whole inhabited world.” Anna said, “As the Lord my God lives, if I give
birth, whether male or female, I will present it as a gift to the Lord my God,
and it shall be a ministering servant to him all the days of its life.[20]
When Mary was three, Anna kept her promise to God
and gave her child up to the temple, where Mary was raised until the age of
twelve when an angel let it be known that Joseph had been chosen by God and Mary
was to be his ward. Joseph protested, “I have sons, and I am an old man, but
she is a young maiden--lest I be a laughing stock to the children of Israel.”[21]
Sometime between the age of twelve and seventeen,[22]
Mary conceived while Joseph was away building houses. When he returned and found
her six months pregnant, he was afraid for his own safety because he had
received her as a virgin, and yet he hadn’t protect her. And he was concerned
for her safety because if he told the priests of her pregnancy, they might kill
her. But an angel of God appear to him in a dream and told him the baby was
conceived of the Holy Spirit. He took her to the priests and told them she was
pregnant and about his dream. But they were not convinced and tested them both,
making them drink “water of the Lord’s testing”[23]
and sent them into the desert from which they returned whole and thus redeemed.
Muslims also revere Mary and consider Jesus a
prophet. The Koran has an interesting description of Mary’s delivery:
And the pangs of childbirth drove her
unto the trunk of the palm-tree. She said: Oh, would that I had died ere this
and had become a thing of naught, forgotten!
The (one) cried unto her from
below her, saying: Grieve not! Thy Lord hath placed a rivulet beneath thee,
And shake the trunk of the
palm-tree toward thee, thou wilt cause ripe dates to fall upon thee.[24]
This
description of the birth of Jesus with Mary’s arms wrapped around a palm tree
is reminiscent of the birth of Apollo, the son of Zeus, on the island of Delos.[25]
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I walk past the dark bronze statue, through the
shade of tall oak trees and into the bright sunlight in front of a small brick
home with a flat roof. Sunlight through fall leaves casts a golden glow about
the building. A tall arched door stands empty and dark before me.
Thirty-three years following his birth, Jesus was
crucified by the Romans at the request of the Jews, and Jesus put His mother in
the care of John. John brought her with him to Ephesus and years later, during
her dotage, she lived somewhere on Mt. Pion, no one knew exactly where, until it
was revealed in a dream to a German nun named Catherine Emmerich.
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She had
received the stigmata, the wounds of Christ on the cross. Although she had never
left her hometown in Germany, during her dream specific directions to Mary’s
home were revealed to her. The dream was taken seriously and the search on Mt.
Pion began in 1891. Archeologists finally located the foundation and parts of
the walls. Coal found during excavations has been dated to the 1st Century.[26]
The controversy over whether this was in fact the Virgin’s home was put to
rest in 1961 when Pope John XXIII designated it a place of pilgrimage. Pope Paul
VI visited the sight in 1967 and Pope John Paul II in 1979.
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I step through the doorway, into a small room,
the darkness broken by light of many candles on wood tables against the walls. I
walk through another arch leading to a vaulted vestibule with a stone apse on
the far wall. Inset within the apse is a one-hundred-year- old statue of the
Virgin, surrounded by red roses. At her feet stands a small statue of Jesus on
the cross, its size a rather blatant reminder that this chapel is for His
mother. A red and gold carpet covers a kneeling platform before the apse.
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A connection exists between Mary of Catholicism
and the quaternions of both mathematics and Greek mythology. Mary is the
“real” or earthly element of the quarternion and the three “imaginary,”
heavenly, components, are the Father, the Son and the Holy Ghost.[27]
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Through the centuries following the Crucifixion,
many of the devout have seen apparitions of various Christian figures, but since
the eleventh century, around the time the Monastery of St. John was built on
Patmos, apparitions of the Virgin have predominated. In the last two centuries,
the sightings became public and in some cases continued over months or even
years.[28]
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The apparitions which appeared at Medjugorje, Yugoslavia promised retribution
for the ills of mankind and presaged the war which has wracked that country
since the fall of the Iron Curtain.
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A recurring theme of these sightings is that
“an individual’s sins are bound up with, and are symptomatic of, the sins of
the community.”[29]
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